In this keynote you will learn what a music supervisor can do for you and how to work with a music supervisor. If you have spesific topics you would like to learn more about, please send your questions to hei@knusmusic.com, and Amy will address some of your questions in her keynote.

Amy Lee is a London-based music supervisor and radio producer. Her recent supervision work includes Netflix’s hit rom-com Too Much, written and directed by Lena Dunham, featuring a widely praised soundtrack. She is currently supervising the upcoming BBC drama Counsels, Disney+ comedy Alice V Steve for Clerkenwell Films, and Molly Manning Walker’s Major Players for Channel 4, produced by A24. With 45RPM, her past credits include music coordination for Netflix’s Baby Reindeer and HBO’s Gangs of London.

45RPM
45RPM is music supervision company founded by Nick Angel, Sarah Bridge, Iain Cooke, and Catherine Grieves, dedicated to film and television. The team oversees every aspect of music supervision - from shaping the creative vision of a soundtrack and sourcing the perfect commercial tracks, to connecting productions with leading composers and musicians. They also manage the practical side, including rights negotiations, licensing, budget oversight, on-camera music co-ordination and score co-ordination.

Amy will also join the Speed Meeting session.

In this Spotlight session Raymond will tell us some of his secrets to composing music to pictures.

Raymond Enoksen is one of Norway’s leading composers for film and TV, with over 200 productions to his name.

Among his most well-known works are the score for the Emmy-winning drama series Atlantic Crossing (2021), the drama series Rabalder, which won the Gullruten award for Best Children’s or Youth Program in 2022, the comedy series Helt Perfekt, and all of the series featuring Lars Monsen since 2004.

In 2023, he won the award for Best Music for his work on Per Fly’s feature film Hammarskjöld at the Barcelona International Film Festival, as well as a Hedda Award for Best Audiovisual Design for The Dark Fortress – a Minecraft Adventure for Riksteatret.

Raymond Enoksen holds a diploma in composition from the Norwegian Academy of Music and has worked as a composer and music producer across a wide range of formats and musical genres.

Raymond will also join the Speed Meeting session.

In this quickround Q&A with Vilde Tuv we will learn about her process going into composing for film and specially her work on The Ugly Stepsister. The session will be moderated by Gina Rosland Eide.

Vilde Tuv (b. 1986) has established herself as one of Norway’s most intriguing artists and music producers. Her flute album Melting Songs won a Spellemann Award in 2021 in the Electronica category. Her third solo album, Truthbomb, was released in the fall of 2025 to glowing reviews from both Norwegian and international press.

With music straight from the heart, featuring clear melancholic undertones and honest, daring productions, she has also contributed as a composer to award-winning works such as the children’s theater production Smeltasang, the music and literature project Solpomme, and the feature film Den Stygge Stesøsteren/ The Ugly Stepsister.

Vilde will also join the Speed Meeting session.

In this session we will dive into the dynamics between the director and the composer when evolving music for film. Nina Knag and Olav Øyehaug will share their experiences and show some examples on how things can change under way. This session will be moderated by Gina Rosland Eide.

About Se Meg / Don’t Call Me Mama
When middle-aged teacher Eva falls head over heels in love with young Syrian refugee Amir, she puts both her marriage and her comfortable middle-class existence at risk. In a small town where everyone knows everyone, infidelity is hard to get away with – especially if, like Eva, you’re married to the mayor.

Nina Knag’s critically acclaimed directorial debut is a sensual psychological drama about obsession, jealousy and Norwegian identity. Pia Tjelta delivers a layered and entrancing performance as Eva, which was honored with the award for best actress at the Karlovy Vary International Film Festival.

Se Meg / Don’t Call Me Mama, is the opening film at this years BIFF

Nina Knag wrote and directed the feature film Se Meg / Don’t Call Me Mama, which will open this year’s BIFF.

The film marks her feature film debut and had its world premiere at the prestigious Karlovy Vary Film Festival this past summer.

Knag has previously directed episodes of the NRK series Rykter (Rumors) and is behind several award-winning short films, including Vi kan ikke hjelpe alle (We Can’t Help Everyone) and De første dagene (The First Days).

Olav Øyehaug is a composer, author and musician based in Bergen. With over 20 years of experience in film scoring, he has contributed music to numerous films and documentaries, including Victoria må dø, Barnesykehuset, De Rettsløse, Si Ingenting, Fjorden Cowboys, Katastrofen Kielland and many many more.

His work has earned him multiple nominations for the prestigious Gullruten award, culminating in a win for Best Original Music in 2025 for the documentary Ukjent landskap.